‘hassle’, not ‘haysil’: april 29, 1936 – april 25, 2005.“…I said, ‘could I smoke ?’“Uncharacteristically understated, on first inspection, the Haze nonetheless lets rip here – at 1’20”, and towards the fade – with a chilling approximation of a police siren wailing. Just one of 7,000 reputed original compositions penned and recorded for various labels,Continue reading “handcuffs | restraints”
Category Archives: 1966
mod my bed, gonna lie in it
Produced by the great Shel Talmy, this Harry Vanda and George Young classic was seemingly released first in the UK through Parlophone. Sometime in 1977, I purchased London’s “Summer of Love” EP solely for their cover of this one perfect song. Ten years later, again, and the hostelry which kept my pool cue racked behindContinue reading “mod my bed, gonna lie in it”
AMM | every noise has its note
keith rowe’s guitar rolled out over jackson pollock’s lavender mist x 3. montage by ib. I stumble into a crash-course introduction to AMMMusic not through any intellectual aspiration to po-faced theory, but through a far more immediate appreciation of El Syd’s Pink Floyd and the visceral living walls of Paul Jackson Pollock. I am slowContinue reading “AMM | every noise has its note”
7 + 7 = 2 +2 = ♥
Released as a single in the summer of 1966 – ahead of their second album, “Da Capo” – “7 and 7 …” is relentless and driven; owing much to the primal rhthmic pulse emanating out of Austin, Texas, viz. The Spades and 13th Floor Elevators.Amphetamine fueled flailing at the Hop, with Danny and The JuniorsContinue reading “7 + 7 = 2 +2 = ♥”
le prugne elettriche #0532
Reprise 0532.Mere mention of the legendary 1972 compilation, “Nuggets: Original Artyfacts from the First Psychedelic Era” – a double LP featuring the Barbarians’ “Moulty“, among a plethora of assorted lysergic and garage distillations – is sufficient to prompt the reversed guitar intro to this Annette Tucker and Nancie Mantz penned 45 to begin percolating inContinue reading “le prugne elettriche #0532”
paperbag writer
a stench of torment rose beguiling. ▼ THE BEATLES: PAPERBACK WRITER from “Paperback Writer b/w Rain” 45 (Parlophone) 1966 (UK)
under the floorboards
A swaggering Jagger & Richard composition from their fabulous “Aftermath“, this is proto-punk ‘1-2-3-4‘ at its most infectious. Restricted by the limited coverage independent distribution allowed- or, more prosaically, confined to minor celebrity in their native Pennsylvania – Bob Hocko’s Swamp Rats gnawed their way into the daylight of small town McKeesport in 1966, gravitatingContinue reading “under the floorboards”
he said, she said…
collage by klaus voorman. An intriguing splicing of demos from the “Revolver” era, culled from the original vinyl bootleg – “Lost Lennon Tapes (Volume 2)” – and reissued on a double CD through the Dutch label, Walrus, in 1996. back off boogaloo. ▼ JOHN LENNON: HE SAID HE SAID from “The Complete Lost Lennon TapesContinue reading “he said, she said…”
why we never hired a wedding singer
don gibson and reprobate accomplice, 1972. Alright. A Don Gibson number recorded, of course, by Faron Young in 1956 and Patsy Cline in 1963. It was Louisiana born crooner, though, Tommy McLain- one time time member of the Vel-Tones, alongside country singer, Cline West – who scored a #15 hit on the U.S. Billboard chartsContinue reading “why we never hired a wedding singer”
formal disclosures
toulouse, 2008. photographs by rory lindsay.So much has been written here and elsewhere regarding Brooklyn’s once forgotten finest that I will resist the temptation to embellish, save for the reminder that chief songwriter, Mike Brown was just sixteen years old when this rarified gem of an album was recorded in his father’s studio above aContinue reading “formal disclosures”
small and stately
The fifth 45 release from the Small Faces, hitting the #1 spot on the British singles chart two weeks after its release on August 5th, 1966; sharing the top position with The Beatles’ “Yellow Submarine“, quite bizarrely. Think Rod Stewart’s cover of P.P. Arnold’s “First Cut is the Deepest” pipping the Pistols’ “God Save theContinue reading “small and stately”
auditors and auditties
big star trip thru kansas? poul•tice |ˌpəʊltɪs|nouna soft, moist mass of material, typically of plant material or flour, applied to the body to relieve soreness and inflammation and kept in place with a cloth. verb [ trans. ]apply a poultice to : he poulticed the wound. ORIGIN late Middle English : from Latin pultes (plural),Continue reading “auditors and auditties”
little richie marsh
Richard Marsh:Born 1937 in Salt Lake City, Utah. Died in Austin Texas, June 25, 2009. Overshadowed by recent events over the course of these last few days, I only caught this sad news yesterday, courtesy of The Warden. Lifted from The Seeds ’66 debut album, also released on GNP Crescendo – out of Melrose Avenue,Continue reading “little richie marsh”
done come
Arranged by Billy Strange. Long out of print, but currently available via compilation. The lyrics here are as irritatingly maudlin – and unintentionally hilarious – as Ervin Drake’s “September of My Years“, but Hazlewood’s lowing burr elevates the performance into something genuinely affecting. The strings, though, almost blow it in the final bars. Last orders.Continue reading “done come”
i iive on the west side…
For some, gambling is a motherf@ckin’ religion. Do they hack your limbs off for that ? Or stone you to death in a football stadium ? Oh shit, pardon me; only if you’re a woman or don’t have enough dough to grease some sweaty f@cker’s palm. Pardon me. I’m forgetting myself. Bron-Y-Aur-Hajj. I don’t thinkContinue reading “i iive on the west side…”
ahh but, it hurts me now…
“…in 1965 they were spotted by leading record producer Tom Wilson, who had earned acclaim as the producer of the seminal Bob Dylan album ‘Bringing It All Back Home‘ and the single, ‘Like a Rolling Stone‘.“ Frank Zappa: guitar, conductor, vocals;Ray Collins: vocals, harmonica, tambourine, finger cymbals, tweezers; Jimmy Carl Black: drums; Roy Estrada: bass,Continue reading “ahh but, it hurts me now…”
angel of the coast
california angels, 1965. photograph by billy ray for ‘life‘ magazine. berdoo chapter, 1965. photograph by billy ray for ‘life‘ magazine. With thanks to Brian Turner of WFMU, New Jersey for originallyposting samples of the V.U. Norman Dolph acetate: “By now most music heads have heard the story of Warren Hillpicking up the rare acetate ofContinue reading “angel of the coast”
the cat in a hat
the cat in a hat. the days before yusuf islam. ” I Love My Dog” on 45rpm, launched the Deram label – a subsidiary of Decca – to the British public in 1966, peaking at #27 on the Hit Parade. “Matthew & Son“, Cat’s second single release, would make #2. Produced by Mike Hurst. ReleasedContinue reading “the cat in a hat”
free as the grass grows
zimbabwe ? south africa? no. back in the u.s.a. Could you honestly imagine Frank Sinatra pulling off “From Russia With Love” with the same degree of intimacy ? From Wiki:“Matt Monro (December 1, 1930 – February 7, 1985) was an English ballad singer of the 1960s and one of great international postwar entertainers. Throughout hisContinue reading “free as the grass grows”
happy jack
john harrington, aka happy jack, circa 1866. Above image courtesy of The Bancroft Library; University of California, Berkeley. “John Harrington known as Happy Jack was arrested in this city January 8th 1866 for petit larceny stealing a watch from a man named A. Johnson and was sent to the Co Jail for six months.” ▼Continue reading “happy jack”